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Mary Scott's CV

Home Up Mary Scott's story Mary Scott's CV

NATIONALITY: Australian

Born: 2nd August 1957

New Norfolk, Tasmania

 EDUCATION

1996- Current PhD

School of Art, University of Tasmania, Hobart.

1986 - 1987 Master of Fine Arts

Centre for the Arts, University of Tasmania, Hobart.

1976 - 1978 Diploma of Fine Arts

Canberra School of Art, ACT.

SELECTED GROUP EXHIBITIONS

1997

Containment, Plimsoll Gallery, Center for the Arts, University of Tasmania. CAST touring to selected venues around Australia.

Nought plus One, DARF Research Exhibition, Plimsoll Gallery, Center for the Arts, University of Tasmania.

Shell Fremantle Print Award, Fremantle Arts Centre, WA.

1996

Isea 96, Seventh International Symposium on Electronic Art, Rotterdam, Holland.

1995

Shadows on the Skin, curator Rice, Clare, CAST Touring, Long Gallery, Hobart, Tasmania (touring to 8 venues within Australia).

Home:Body, curator Parkes, Brian, Queen Victoria Museum and Art Gallery, Launceston and Carnegie Room, Hobart, Tasmania.

Colonial Past-time to Contemporary Practice, Tasmanian Musuem and Art Gallery, Hobart, Tasmania.

Figure/Ground, curator Arnold, Ray, Dick Bett Gallery, Hobart, Tasmania.

Beep and Click, curator Kirby, Sarah, Entrepot Gallery, Hobart, Tasmania.

1994

What’s worth showing, curator Mason, Penny, Queen Victorian Museum and Art Gallery, Launceston, Tasmania.

Tell me a story, curator Brassington, Pat, Plimsoll Gallery, Centre for the Arts, Tasmania.

1992

The Flower, curator Zika, Paul, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania (touring to 10 venues within Tasmania).

1990

Staff Show, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania.

Ideal Format, curator Downey, Chris, GO-LO Contemporary Art Space, Darwin, NT.

1989

Diversities, Northern Teritory University Gallery, Darwin, NT.

1987

Hysterical Measurements, Chameleon Contemporary Art Space, Hobart, Tasmania.

Masters Exhibition, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania.

1986

Small Wonders, Adelaide Arts Festival, Roundspace Gallery, Adelaide, South Australia.

Selected Acquisitions, Tasmanian Musuem and Art Gallery, Hobart.

1984

Tar Babies on Ice, Iceberg Gallery, Melbourne, Victoria.

Spring Festival of Drawing, Mornington Peninsular Arts Centre, Victoria.

1982

Points of View, Bolitho Gallery, Canberra, ACT.

Super Doreen Show, Arts Council Gallery, Canberra, ACT.

INVITATION PRIZES

1995

Trust Bank Art Award, Hobart, Tasmania.

1994

Hobart City Invitation Art Award, Hobart, Tasmania.

REFERRED TEXTS

Spinks, Jennifer Mirror, Mirror: Cruelty and Innocece, Art in Australia, Vol 35, No 2, 1997, pp234-241

Hansen, David Fling enough Mud, Art Monthly, Oct No 104 1997, pp22-23.

Knights, Mary To Have or to Hold, Artlink ,79 vol 17 no 3, pp79-80.

Klaosen, Di/ Hart, Bill Being Digital, Imprint Autumn 1997, vol 32 no1, pp26-28.

Snell, Ted Much More to Life Beyond Politics,, The Australian, Frid Sept 5 1997, p10.

Kunda, Maria The Pleasure is in the Paint : Art and Eroticism Siglo, no 8, June 1997, pp52-3.

Bond, Claire The Contained Object, Object 1-97, pp28-9.

Deeth, Jane, When you get behind closed doors, Artlink, vol 16 no1, Autumn 1996, p80.

Stasko, Nicolette, Fruits of Light, Art in a Post-Modern Age, Siglo no5, March 1996, pp4-11.

Kunda, Maria, Home:Body, Contemporary Art Tasmania, issue 8, Summer 1996, pp15-7, 21-2, 25-6.

Murray, Kevin In Case of millennium, break glass,,Art Monthly, no 86 Dec 1995-Feb 1996, pp29-30.

McLean, Ian Home;Body, Art in Australia, vol 33 no 2, Summer1995, p287-8.

Calahan, Anthony, Actions Louder than Words, Artlink, vol 15 no 4, Summer 1995, p80.

Spinks, Jenny, Tell me a Story, Art Monthly, No 70, June 1994, pp22-23.

Wilson, Catherine Framing a Story, Contemporary Art Tasmania, Issue 4, Winter 1994, pp36-39.

Hill, Peter, Floral Attributes, Artlink, Vol 13 No 1, 1993, p87.

Hill, Peter, Tasmania Link, Asia Art News, Sept/Oct 1992, pp74-75.

Hill, Peter The Flower, Bulletin, Dec-Jan 1992-93, p153.

EXHIBITION CATALOGUES

Bond, Claire Containment catalogue essay, Plimsoll Gallery Publication, University of Tasmania, 1997, pp6-13.

Rice, Clare, Excision, Shadows on the Skin, CAST Touring Publication, 1995.

Spinks, Jennifer, My Fair Lady, Home:Body, Arthouse Tasmania Publication, July 1995, pp9-13.

Holmes, Jonothon, Tell me a Story, Plimsoll Gallery Publication, April, 1994, pp34-39.

Mason, Penny, What's worth showing, Arthouse, Aug 1994.

COLLECTIONS

Artbank Australia, 1988.

Tasmanian Museum and Art Gallery, 1986, Hobart.

University of Tasmania Fine Arts Collection, 1986, 1995, Hobart.

CURATORIAL

Scott, Mary, Zika, Paul, Re:search, Plimsoll gallery, University of Tasmania, Hobart, 1997.

Scott, Mary, Swann, Heather B, The Collectable Eggbeater, Plimsoll Gallery, University of Tasmania, Hobart, 1995.

Scott, Mary,Selected Works, Fine Arts Gallery, University of Tasmania, Hobart, 1988.

GRANTS AND AWARDS

1997 Large Australian Research Council Grant, Digital Mesostructures, (Chief Investigator)

Australian Research Council Grant,The Application of Digital Printing Technologies to

Traditional Painting and PrintmakingTechniques, University of Tasmania, Hobart

1996 Honary Visiting Fellow, COFA, University of New South Wales, NSW.

NSW Ministery of the Arts Gunnery Studios Residency, Artspace, Sydney, NSW.

Teaching Merit Certificate, University of Tasmania, Hobart.

Australian Research Council Grant,The Application of Digital Printing Technologies to

Traditional Painting and PrintmakingTechniques, University of Tasmania, Hobart (continuing).

1995 Australian Research Council Grant,The Application of Digital Printing Technologies to

Traditional Painting and PrintmakingTechniques, (Chief Investigator)

University of Tasmania, Hobart.

1994 Teaching Merit Certificate, University of Tasmania, Hobart.

Arts Tasmania Grant, Dichotomies, Hobart, Tasmania.

1993 Australian Research Council Grant, Dichotomies of Desire, University of Tasmania, Hobart.

1992 Departmental Research Grant, School of Art, University of Tasmania, Hobart.

1991 Residency Grant Verdaccio Studio, Quattrocento Painting, Italy, Australia Council, Visual Arts and Crafts Board.

Tasmanian Arts Advisory Board Grant, Quattrocento Painting, Travel Grant.

BOARD AND COMMITTEE REPRESENTATION

Rosamund McCulloch Cite Studio Award Committee, 1992-7, University of Tasmania, Hobart.

NAVA "No Vacancy" Project Committee, 1995-6, Hobart, Tasmania.

Plimsoll Gallery Committee, 1991-7, University of Tasmania, Hobart.

Chameleon Contemporary Art Space Board, 1992-3, Hobart, Tasmania.

Chameleon Contemporary Art Space Exhibitions Committee, 1991-3, Hobart, Tasmania.

Faculty Grievance Committee, 1994-7, University of Tasmania, Hobart.

Staff/ Student Consultative Committee, 1994-5, University of Tasmania, Hobart.

GO-LO Contemporary Arts Board, 1989-9, Darwin, NT.

Kaleidoscope Community Arts Board of Directors, 1986-8, Hobart, Tasmania.

Summerland Community Arts Board, 1983-5, Lismore, NSW.

RESUME

1991- Current Lecturer, Painting and Digital Media, School of Fine Arts at Hobart, University of Tasmania, Hobart.

1989 Lecturer, Painting and Drawing, Department of Fine Arts, Northern Territory University, Northern Territory.

1986 - 88 Tutor, Painting and Drawing, Centre for the Arts, University of Tasmania, Hobart.

Teacher, Art and Photography, Elizabeth Matriculation College, Hobart, Tasmania.

Community Artist, Kaleidoscope Community Arts Association, Hobart, Tasmania.

1985 Community Artist, Summerland Community Arts Organisation, Lismore, NSW.

1984 Community Artist, TAU Community Arts Association, ACT.

1983-1984 Tutor, Drawing, Canberra Institute of the Arts, ACT.

1982 -83 Travel - Private Research Sienna, Italy, New York, USA.

1978 - 1981 Museum and Research Assistant Australian National Gallery, ACT.

Page last edited 27/04/03
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