Digital works for the big screen at Treasury Theatre
Sunday 30 July 7pm; Friday 4 August 9pm
Infection
New Zealand
Director James Cunningham
In this suspense-filled digital action thriller, a mutant hero conducts
a virtual bank heist. The outstanding qualities of this short film were
acknowledged through its recent nomination for the Palme D'Or Short
Film Award in the 2000 Cannes Film Festival.
Comm-Raid on the Potemkin
Northern Ireland
Director Enda Hughes
A reworking of Sergei Eisenstein's silent classic, Battleship Potemkin,
this film takes the form of a video shoot 'em up game.
Conversations in Space
Australia
Directors Julian Savage and Russell Bywater
Conversations in Space is an experimental animation combining traditional
(16mm stop-frame) and contemporary digital techniques.
Black XXX-Mas
Belgium
Director Pieter Van Hees
Set in a city jungle, Black XXX-Mas is a surreal fairy tale about Little
Red Ridin
Germany
Director Kirsten Winter
Using live action footage, oil painting, computer-generated images and
scratched footage, Kirsten Winter evokes a fractured atmosphere about
an accident she experienced 16 years ago.
Australia
Director Peter Morse
Based around the concept of liminality or threshold, a computer-animated
song cycle engagingly explores botany and mathematical obsessions.
Man
Australia
Director Antoinette Starkiewicz
An artist, dissatisfied with the classical imagery of the male nude,
finds a deeper interpretation.
Steeling the Skies
Australia
Director Tim Richter
Using striking angles and chiaroscuro lighting effects, Tim Richter
contrasts the cold remoteness of city architecture with one man's desire
for human relationship.
Tango
Australia
Director Therese Ritchie
This beautifully liquid animation offers a dark and sometimes humorous
insight into a woman's experiences with mortality.
Final Notice
Australia
Director Chris Barker
An internet-addicted mouse comes face to face with corporate culture
in this quirky, well-structured computer animation.
Programme 1
wow+flutter 00
Friday 28 July 7pm; Sunday 30 July 5pm
Onedotzero's pioneering compilation programme is at the forefront of
innovation in the exciting trend towards digital moving image.
Contemporary motion graphics and digital effects explode across the
screen in these dynamic short films which draw from the fields of graphic
design to new media via illustration.
New short digital films include Hell for Leather directed by Ilustrator
Andy Martin, which presents an evocative voiceover from his Grandfather
on the D-Day landings; Salaryman from director Jake Knight, which incorporates
short vignettes about a lonely Japanese salaryman; andack & drink'.
Claustrophobia and vertigo are explored by Slammer from D-Fuse which
looks at fear of the prison system and Nick Ryan and Nick Roope with
their film Velo which was created from video cameras hurled off tall
buildings.
Nick@tomato produced two very different pieces which screen in this
program. July is a simple graphic idea which reflects the freedom of
summer in the ambiguities of a digital creation. A dark flipside to
this is My Chocolate Bar, a psychologically morJe complex and disturbing
short visual poem reflecting a fear of humiliation.
In Tokyo Fish Market, John Warwicker@tomato brings a diverse style which
was influenced by the drawings and woodcuts of Japanese Manga. In contrast,
Why Not Associates inventively illustrates the words of various music
stars in Virgin Conference films.
These and other explosive productions made by non-traditional moving
imagemakers embrace and push the possibilities of storytelling and visual
experience.
Programme 2
onedotzero lens flare 00
Friday 28 July 9pm; Monday 31 July 9pm
Welcome to a world of fractured narratives, twisted trajectories, visual
hooks and the split-second moment of creative impact!
With each advancing year, the benchmark for pre-rendered animated sequences
in computer and video games is raised. Ironically, just as artists are
beginning to experiment with a diversity of techniques, the latest console
and computer technology is allowing many sequences to be generated in
realtime by sheer processing power alone.
The line between passive and interactive storytelling continues to blur
in these capsule narrative episodes.
From space epics to racetrack challenges, to strange dreams, to female
heroes with a style all their own, this programme brings the latest
in computer gaming. Renowned production companies such as Infogrames,
Play Station, Konami, Namco/SCEE, Havas Interactive, Eidos Interactive,
Electronic Arts, Mattel t Hill; the adrenalin battle rush of Dragon
Valor, Warcraft III, Tiberian Sun and Nemesis; the racetrack thrill
of Wip3out, Gran Turismo II and V Rally 2; and Lara CroftÕs latest exploits
in The Last Revelation.
Other unusual and outstanding computer game sequences include y of errors
which takes inspiration from silent slapstick shorts; and Legacy of
Kain Soul
In this compilation, artists embrace, mix and deliver new and more powerful
emotional experiences which are interactive, immersive, non-linear and
thought-provoking.
The two onedotzero compilation programs are curated by Matt Hanson and
Shane Walter, who are guests for this yearÕs festival. Two of these
programmes are ics and digital effects in short digital films; and lens
flare, programs from computer gaming. onedotzero works across boundaries
and mediums, ignoring traditional structures and ways of working to
produce distinctive, compelling and vital work.
Guest Directors from onedotzero festival: Matt Hanson and Shane Walter
onedotzero directors, Matt Hanson and ShaneWalter, have worked on a
variety of innovative media projects, and specifically together on onedotzero
projects since November 1996. Since onedotzero's inception they have
collated and commissioned over twenty hours of original programming
for the eponymous annual digiMatt Hanson
Matt Hanson is an independent and digital film commentator. Between
1991 and 1996 he interviewed stars of the independent film scene for
leading style magazines including The Face and Dazed & Confused.
He has written and worked between traditional and digital media for
a number of years, including hypertext/multimedia interviews for Blender,
New York. Web projects include independent production of the official
London Film Festival 1996 site, for which he was pro
Shane Walter
Shane Walter has worked in multimedia for six years and as a new media
producer on projects for leading interactive media, games and computer
companies. Clients have included: Eidos Interactive, Microsoft, MGM,
GT Interactive, Adobe, and Apple. He has also produced the first UK
interactive content for the Microsoft Network, including special events
live at the Edinburgh Festival, and the London Marathon, which was nominated
for best online magazine (BIMA 96). He also has a background as a theatre
producer most notably for critically acclaimed group, 606, which perform
innovative mixed media productions.